The beauty of podcasting is that anyone can do it. It’s a rare medium nearly as easy to make as it is to consume. And as such, no two people do it the same way. Many hardware and software solutions are open to potential podcasters, so setups run the gamut from NPR studios to USB Skype rigs (the latter of which has become a default during the current pandemic).
We’ve asked some of our favorite podcast hosts and producers to highlight their workflows — the equipment and software they use to do the job. The list so far includes:
Election Profit Makers’ David Rees
Welcome to Your Fantasy’s Eleanor Kagan
Articles of Interest’s Avery Trufelman
First Draft and Track Changes’ Sarah Enni
RiYL remote podcasting edition
Family Ghosts’ Sam Dingman
I’m Listening’s, Anita Flores
Broken Record’s Justin Richmond
Criminal/This Is Love’s, Lauren Spohrer
Jeffrey Cranor of Welcome to Night Vale
Jesse Thorn of Bullseye
Ben Lindbergh of Effectively Wild
My podcast, RiYL
Science! It’s a thing you should trust! At least, that’s what people keep telling me on Twitter. But how do you know which science to trust? Thankfully, Science Vs. from Spotify/Gimlet exists to answer the difficult questions. The show wades into scientific fads and conspiracies, ranging from 5G to vaping, to sift out science fiction from science fact. This week, producer Rose Rimler joins us to detail how the show has evolved during the pandemic.
Before COVID, we worked out of an office in Brooklyn with 10+ recording studios and several small, glass-walled meeting rooms for the table reads we call “edits.” We spent much of the day wandering around the office looking for one another in these offices and studios, which I guess is how I racked up an average of 6,700 steps a day in 2019 without really trying. Anyway, during the pandemic, we switched to recording ourselves and our interviews at home on portable recorders, which Gimlet provided.
We all use Zoom recorders and directional/shotgun mics. My recorder is a Zoom H6, and my mic is a Sennheiser MKE600. This is an excellent quality mic because I don’t need to go into a closet or under a blanket to record myself. I sit in my room, hold the mic to my chin, and hit record. It seems to turn out fine, although maybe the audio engineers are secretly furious with me for this. The only way to know is to tweet @petaplaysbass demanding answers repeatedly.
It’s a different story regarding the audio we get from our guests. The most basic way to grab audio from someone is to record their phone call or Zoom/Skype/Google Hangout session. I do this with a cord that plugs in from the Zoom recorder into my laptop or (via an adaptor) into my phone. The problem with this method is that the “phone tape” audio is hard to hear. I know this from personal experience because when I listen to podcasts that use phone tape off my iPhone, without headphones, I can barely hear what the person is saying. So, I think getting better audio quality from guests does matter to the audience. How to do that? We’ve devised the best way to ask them to interview a computer app while using their smartphone as a recording device.
The iPhone comes with an app called “voice memo” that most people can use, and the phone’s mic is surprisingly good quality. They record their end of the conversation and send the file to us. Suppose I’m feeling particularly confident in my ability to direct people. In that case, I might also ask them to pick a quiet, well-furnished room, put their phone into airplane mode, and hold it in front of them as they talk so the mic isn’t too far away (or place it on a stack of books near them).
We’ve always been a collaborative show, which hasn’t changed since the pandemic. While the lead producer writes the first few drafts of the script, they collaborate with the host and editor to rewrite the last week or so before we publish. That’s why we were constantly huddled in various offices before the pandemic, writing through the script together. The difference now is we huddle over Google Hangout.
Also, I get many, many fewer steps.
