A century-old annual report by one of the most significant public-good institutions our civilization has produced — New York’s, site of the speech that bewinged Lincoln’s ascent to the presidency, alma mater to some of the most visionary artists and thinkers of the past century and a half, founded by the inspired mechanic Peter Cooper the year Darwin published On the Origin of Species — begins with this plainspoken benediction of a mission statement:
For over half a century the Cooper Union has given, in order toand Art, education to over 180,000 men and women, regardless of race or creed, without money and without price.
In 1893, moved to aid this ennobling endeavor, the wealthy widow Mary Stuart established a $10,000 annualto $300,000 today — devoted to acquiring critical, scrumptiously illustrated rare books for the Cooper Union library. Among them is the world’s first comprehensive illustrated encyclopedia of shell-dwelling animals: — a work I discovered by a sidewise research trail during my sainthood.
In 1771, the English naturalist and malacologist George Perry became the era’s preeminent scholar of shell-bearing mollusks. In 1811, he published his research in this exquisite 266-page treasure, featuring sixty-twocreatures, illustrated by the English artist and engraver John Clarke, “executed from the natural specimens and including the latest discoveries” — the mobile homes of marine creatures turned voluptuaries of geometry and color, elaborate living urns, great lampshades for the palace of some sea god, miniature Hindu temples, gorgeous drag queens of the deep, otherworldly amphoras from the bottom of this spectacular world.
Perry notes how deeply and widely shells have permeated the human cultural experience over the ages — from the drinking cups used in ancient religious rituals to the purple dye extracted from a delicate Mediterranean body of the genus Polyplex, with which the early, to the volutes gracing the iconic capital columns of Grecian architecture, which borrow their shape from the geometry of the ram’s horn squid, the only surviving member of the genus Spirula.
In an era when the chief purpose ofof the perfection of a Creator-god, half a century before Darwin began shattering the brittle creationist mythology of unreason with the anvil of his elegantly reasoned evolutionary revelation; Perry opens the book with a poetic sentiment reverencing the aesthetic and spiritual rewards of shells beyond their science: